Sweetie, I know that you absolutely love hinging your plots on misdirects which are then revealed through more detailed flashbacks shot from slightly different angles meant to shock the audience with how clever you think you are, even when you’re not writing shows that revolve around time-travel or other science fiction devices like starships that look like normal-sized humanoid people, but it gets a bit old. You know, like over-reliance on Variations on The Time Traveller’s Wife.
moffatstopwriting.
moffatstopwriting.